Interviewing Anne-Lise Coste

I am fortunate to have worked on an interview with Anne-Lise Coste published in Où suis-je by Patrick Frey Editions. My synopsis for PFE below. ◊◊ Anne-Lise Coste’s fourth monograph, titled Où suis-je, is a collection of penetrating glimpses into

Interviewing Anne-Lise Coste

I am fortunate to have worked on an interview with Anne-Lise Coste published in Où suis-je by Patrick Frey Editions. My synopsis for PFE below. ◊◊ Anne-Lise Coste’s fourth monograph, titled Où suis-je, is a collection of penetrating glimpses into

The Permanence of the Transient

A description for The Permanence of the Transient: Precariousness in Art that I helped write and edit for Camila Maroja, in print with Cambridge Scholars Press. ◊◊ How should one approach the notion of the precarious in art – its

The Permanence of the Transient

A description for The Permanence of the Transient: Precariousness in Art that I helped write and edit for Camila Maroja, in print with Cambridge Scholars Press. ◊◊ How should one approach the notion of the precarious in art – its

Art on the Block

Originally published in the Brooklyn Rail’s February 2014 Issue. ◊◊ With its enormous title and ambition, Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond is the latest demonstration of introspection

Art on the Block

Originally published in the Brooklyn Rail’s February 2014 Issue. ◊◊ With its enormous title and ambition, Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond is the latest demonstration of introspection

In Praise of Peaceful Art: A Chris Johanson Monograph

Originally published in ArtCritical. ◊◊ On the back cover of Phaidon’s new Chris Johanson monograph is a close-up of I AM CLEAR NOW (2004), a vignette featuring two reclining figures on a green expanse of urban lawn, painted with acrylic and latex

In Praise of Peaceful Art: A Chris Johanson Monograph

Originally published in ArtCritical. ◊◊ On the back cover of Phaidon’s new Chris Johanson monograph is a close-up of I AM CLEAR NOW (2004), a vignette featuring two reclining figures on a green expanse of urban lawn, painted with acrylic and latex

A Hat-Maker and his Photographer

Originally published in The WILD Magazine. ◊◊ The long-overdue monograph on the influential milliner Philip Treacy arrived as a delicate and quiet volume that sneaks beneath the glossy and immobile surfaces of high fashion to animate a man and his

A Hat-Maker and his Photographer

Originally published in The WILD Magazine. ◊◊ The long-overdue monograph on the influential milliner Philip Treacy arrived as a delicate and quiet volume that sneaks beneath the glossy and immobile surfaces of high fashion to animate a man and his

Phaidon’s Ghost of Fashion Present: An Afterword

I was recently asked to review PATTERN, one of Phaidon Press’s new volumes on contemporary fashion, and I was rendered wordless for a while. It’s both a survey and a monograph without fully committing to either category. PATTERN is a

Phaidon’s Ghost of Fashion Present: An Afterword

I was recently asked to review PATTERN, one of Phaidon Press’s new volumes on contemporary fashion, and I was rendered wordless for a while. It’s both a survey and a monograph without fully committing to either category. PATTERN is a